Mystery: A secret ingredient to a great photo

Have you ever been in a rut, and only recognized it when you see someone else’s work? I’ve just had that experience. I am, admittedly someone who is still learning SL photography. I’m pretty good on the angles, the lighting, the framing. That’s, fine, but it’s merely the basics. I’ve had this unrecognized itch that my images were lacking punch, emotion, but I wasn’t quite sure how to get around it until I saw this shot by Connie Arida. So it’s very retouched. I can live with that. Seeing this image brought me just the notion that I needed: that a good photo is as much about what is left out, as what is framed. Ever notice that good monster movies keep the suspense up by NOT revealing the monster right away? They hint, they tease, they imply, and as such the audience is captivated by wanting to know what the monster looks like. That’s a trick to engaging content. I realized that while my photos may be ok technically, that emotionally, I was much too explicit. I’ll be working on that for the next little while.

A wonderful shot by Connie Arida, pointing out that sometimes the best part of a photograph is what is not included.

A wonderful shot by Connie Arida, pointing out that sometimes the best part of a photograph is what is not included.

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